[Quick Summary: A professor and his wife trap entertain couple in a booze soaked, button pushing evening.]
The recent passing of brilliant director Mike Nichols prompted me to read the scripts that he directed.
This was his first produced film.
It was a ballsy choice and still burns up on the page.
As I mentioned in a previous post, the conflict is impressively strong.
I discovered that one of the reasons is because the opposing characters are eager to engage.
They may evade for a little while, but always circle back, swinging.
ex. "GEORGE: I'm tired, dear...it's late...and besides --
MARTHA: I don't know what you're so tired about...you haven't done anything all day; you didn't have any classes, or anything....
GEORGE: Well, I'm tired....If your father didn't set up these damn Saturday night orgies all the time....
MARTHA: Well, that's just too bad about you, George....
GEORGE (grumbling): Well, that's how it is, anyway.
MARTHA: You didn't do anything; you never do anything; you never mix. You just sit around and talk.
GEORGE: What do you want me to do? Do you want me to go around all night braying at everybody, the way you do?
MARTHA (braying): I DON'T BRAY!
GEORGE (softly): All right...you don't bray.
MARTHA (hurt): I do not bray.
GEORGE: All right. I said you didn't bray.
MARTHA (after a moment): Fix me a drink.
GEORGE: Haven't you had enought?
MARTHA: I said, fix me a drink."
WHAT I'VE LEARNED: I think the "engaging" is why people are interesting to watch.
Who's Afraid of Virginia Woolf? (1966)
by Ernest Lehman
Adapted from the play by Eward Albee