[Quick Summary: Under the threat of bandits, a village hires a band of seven samurai for protection.]
Three Things Worth Noticing:
1) I've seen this film and it's everything everyone says that it is, including:
- One of the first modern action films
- One of the first films to show the unglamorized consequences of violence
- Excellence in editing
2) For me, the genius of Seven Samurai is in the editing and shots.
I would've bought it based on a short film or discussion with the director.
I probably would not have bought it based on the script because I just couldn't see the whole film visually.
3) So should you still read the script? (Yes, it's a long one.)
Yes, if only to learn how to give your action/violent scenes weight and meaning.
One key is to include a visual of what results from of the fighting and/or violence, i.e., people DIE. People get HURT. There are CONSEQUENCES. If this is absent, the action is forgettable.
ex. "Low-angle medium shot of the WOMAN holding the baby with KIKUCHIYO in three-quarter back view in the foreground. The mill wheel still turns in the background, now almost enveloped in flames. Without saying a word, the WOMAN hands the baby to him; then, thowing back her head, she staggers forward. KAMBEI rushes up to catch her. As she falls into his arms he feels blood on his hand and looks at it. KIKUCHIYO, holding the child, looks at the WOMAN's back.
KAMBEI: She was speared. RIght in the back. Yet she got as far as here. What will-power!
KAMBEI hoists the WOMAN's dead body onto his shoulder and KIKUCHIYO puts out a hand to stead him, still holding the baby in his other arm.
KAMBEI: Kikuchiyo, let's go back.
He starts to wade back down the stream towards camera.
Medium shot of KAMBEI coming towards camera carrying the WOMAN over his shoulder. Behind him, KIKUCHIYO is staring at the child in his arms, the mill blazing in the background. KAMBEI notices that KIKUCHIYO is not following him and turns back, uring him on.
KAMBEI: Come on, what's the matter?
Medium close-up o KIKUCHIYO holding the child, silhouetted against the flames. Tilt down with him as he sinks down onto his knees, waist-deep in the stream.
KIKUCHIYO: This baby. It's me! The same thing happened to me!
He sobs, hugging the child tightly."
WHAT I'VE LEARNED: Remember to include the consequences of action/violence through reaction shots, etc.
Otherwise, the audience is less inclined to get invested.
Seven Samurai (1954)
by Akira Kurosawa & Shinobu Hashimoto & Hideo Oguni