[Quick Summary: After neighbor Walter goes missing, the other neighbors assume a mysterious neighbor has kidnapped him, and investigate.]
GOOD NEWS: This script has some fun moments, but it's an okay script.
BAD NEWS: It's an okay script, and it's hard to put one's finger on why.* **
GOOD NEWS: I thought there were amusing + tense moments, especially when the cause is imagined and/or self-inflicted.
For example, in the scene below:
- Ray (protagonist) is curious about the new, unsociable next-door neighbors.
- The whole neighborhood is curious about their mysterious basement noises too.
- Walter, another neighbor, has been missing for several days.
- Art, the wacky neighbor, thinks the new neighbors have kidnapped Walter.
- Art just rang the new neighbors' doorbell and slipped a note: "I know what you did" to scare them.
- Art runs to Ray's backyard to wake up Ray, who is napping.
- While they're talking, Vince, Ray's dog, digs up a bone.
- Note the flow of rising and falling tension: Art's impulsive act leads to this tense moment --> increased by Vince finding the bone --> heightened by the unseen smoker next door --> ESCAPE! --> brought to shrieking halt by Carol's appearance.
- It's also funny, because Art started the drama by jumping to conclusions.
EXT. RAY'S BACK YARD - DAY
...ART (thrusts [the bone] at him): Look at it! This thing didn't come off a chicken! Where'd he get it?
Ray stutters and then -- his eyes lock on the fence and he blanches.
RAY: The fence...he...pulled it out from under the fence...
Art looks once at the fence and his jaw drops.
ART: Jesus Christ! Ray! There's no doubt anymore! This is real! They killed him! They cut him up! And then they buried him in the yard!
He holds the bone in front of his face.
ART: This is Walter!
Involuntarily, Ray screams.
RAY: Aaaaagh!
MEN
PSYCHO PANIC MUSIC SHRIEKS. CAMERA ZOOMS IN AND OUT REPEATEDLY ON the bone and the screaming men in a disorienting acid-fright nightmare effect. Then...
Suddenly, Art springs on Ray and clamps a hand over his mouth! Art's eyes are wide and trained next door, where we hear a SCREEN DOOR SLAM. We start a SLOW, SUSPENSEFUL PAN OVER TO...
FENCE
All we can make out through the slats are shadows, but we can hear FOOTSTEPS on the grass within the yard...and they're coming closer...
PATIO
Art and Ray stand frozen, petrified, as the FOOTSTEPS CLOSE IN on the fence.
FENCE
Now the shadow and the footsteps are nose-to-nose with the fence, a puff of smoke curling upward from just the other side. The WOOD CREAKS as a couple of slats bend inward, indicating the smoker is leaning on the fence, peeking through a crack.
ART AND RAY
hold each other, paralyzed with fear.
FENCE
CREAKS a little more. Then, up over the top, comes a crumpled piece of paper. It lands softly in the grass, and the smoking presence retreats. The SCREEN DOOR SLAMS again.
ART AND RAY
Art breaks from the patio, leaving Ray frozen stiff. In a crouch, he runs to the wad of paper and furiously opens it. His expression turns dark and he looks at Ray.
ART: My note...
Ray's eyes bulge and he breaks for the back door just as...
CAROL
opens the back door.
WHAT I'VE LEARNED: I liked that this scene was based on Art's internal assumptions, which he acted upon, i.e., making the inner emotions seen externally.
The 'Burbs (1989)(4/15/88 draft, revised)
by Dana Olsen
* Ebert writes: "It’s hard to put your finger on exactly what’s missing from the movie. The actors do what they can with the material and the special effects are ambitious, but somehow the film fails to rouse itself into any real conviction. It’s cut and dried; we anticipate the major events in the story and we’re right. And when the explanation for the strange family’s behavior finally arrives, it’s not much of a surprise."
**For what it's worth, I think it might be to do with the low stakes: Neighbors are curious about the new neighbors, who may have "kidnapped" a fellow neighbor, and investigate.
But what will happen if they don't investigate? Not much.