This script demonstrates two of the most infuriating truths that no one tells you:*
Quest. #1: It's about the "silence of God"? Why bother with such old fashioned film?
Answer #1: I had mixed feelings after reading this script.
First, this story doesn't have a clear cut objective to accomplish.
The Knight asks "Where is God?" and the answer is a struggle. With Death. With meaning. With day to day life. Yikes.
Second, however, this script did keep me entertained while discussing a serious topic.
What a major juggling feat! How did the writer do it?
Perhaps we could get a few insights from this recent review of another 2017 film:
This is the story of a kid learning his parents aren’t perfect and all of his neighbors are violent racists. Without any humor or interesting characters to keep the film entertaining, that’s a tough premise for a movie. And it’s tonally impossible to balance. It makes “xxx” a comedy with almost no laughs and a drama with no depth. (underline mine)Hmmm....Humor or interesting characters keep the premise alive and the tone balanced. Eureka!
Here, the Knight's search for answers to the silence of God (heavy premise) is palatable because of his travels with actors Jof and wife Mia (interesting characters), who add humor and fun.
Note below how life goes on despite Death stalking Knight (life vs death):
ex. "JOF stands in the hot sun with a flickering lantern in his hand. MIA pretends to be asleep on a bench which has been pulled forward on the stage.
JOF: Night and moonlight now prevail Here sleeps my wife so frail...
VOICE FROM THE PUBLIC: Does she snore?
JOF: May I point out that this is a tragedy, and in tragedies one doesn't snore.
VOICE FROM THE PUBLIC: I think she should snore anyhow.
This opinion causes mirth in the audience. JOF becomes slightly confused and goes out of character, but MIA keeps her head and begins snoring.
JOF: Night and moonlight now prevail. There snores - I mean sleeps - my wife so frail..."
WHAT I'VE LEARNED: Tone has always flummoxed me, so I'm glad to have clearer insight into how humor affects a heavy drama's tone.
The Seventh Seal (1957)
by Ingmar Bergman
Adapted from his play
* FYI: I had too much to say, so here's the first of two posts today.
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