[Quick Summary: To end the war, the Allied air and ground troops try to secure key bridges in the Netherlands to close off Germany from the north. (Sept. 1944)]
GOOD NEWS: This is a previously unseen William Goldman script.
BAD NEWS: This could very well be a great film, but...on the page, I disliked it.
Maybe because it covers so much ground? I found myself wishing that I cared more.
GOOD NEWS: There were still some great character moments.
My favorite was "The Kid With the Thick Glasses" who was his own spy:
ex. "EXT. ROAD NEAR HARTENSTEIN HOTEL - DAY
A GERMAN SENTRY. Armed. Well turned out, creased trousers, polished boots. He moves into the road, raises his hand. THE KID WITH THICK GLASSES stops.
(This scene is IN DUTCH - SUBTITLED)
GERMAN SENTRY: Go back.
KID WITH THICK GLASSES: --but I want to --
GERMAN SENTRY: -- you will do as directed.
KID WITH THICK GLASSES (near tears --frightened and upset --he points on past the hotel): But my friend --she lives down the road and...It is my birthday -- she has a present --my present. (stares up at the sentry) Please?
GERMAN SENTRY (finally gestures for the kid to go through): Be quick.
CUT TO
EXT. ROAD BEYOND HARTENSTEIN HOTEL - DAY
THE KID WITH THICK GLASSES as he zooms on by the place. He doesn't seem to pay much attention, just glances at it once once as we
CUT TO
EXT. ROAD NEAR HARTENSTEIN HOTEL - DAY
THE SENTRY. Watching. Nothing arouses his suspicions.
CUT TO
EXT. ROAD NEAR HARTENSTEIN HOTEL - DAY
THE KID WITH THICK GLASSES, pumping on, rounding a bend, and the instant he's out of sight of the SENTRY -- he brakes, whips out a piece of paper and a pencil stub and starts to make a sketch.
CUT TO
EXT. SKETCH - FLAG - DAY
The sketch. It's a copy of the flag that we planted on the lead staff car. As THE KID continues to draw, licking his pencil stub, scratching away --
CUT TO
INT. UNDERGROUND LEADER'S HOUSE - KID'S ROOM - DAY
Another drawing of that pennant. Only this isn't a quick pencil sketch of it, this is much more carefully done. It's in color and the colors of the flag are pretty close to what the actual flag looked like."
WHAT I'VE LEARNED: I liked that a "kid spy" was how the writer brought us into the underground spy network (vs. an adult spy acting all mysterious).
A Bridge Too Far (1977)(draft dated 3/29/76)
by William Goldman
From the book by Cornelius Ryan
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