[Quick Summary: Jake, a rookie cop experiences his first training day under the wing of Alonzo, a jaded narcotics cop.]
I greatly appreciate that this action/cop drama/muscular script is character based.
What does that mean? That what happens between characters has meaning, whether it be a conversation or conflict, i.e., not simply guns blazing all the time.
I like that the scene below demonstrates this on a few levels:
- Alonzo is teaching Jake what daily life is like on the streets.
- Alonzo is also asserting "his way or the highway" methods on Jake and the Dealer.
- Jake struggles to comprehend and deal with Alonzo's illegal methods which violate all protocol.
- Jake admires that Alonzo is getting results, yet is repulsed by them.
- There are various power struggles (Alonzo vs. Jake, Alonzo vs. Dealer).
ex. EXT. NEIGHBORHOOD - DAY (CONTINUOUS)
...Jake finishes searching.
ALONZO: No rocks?
JAKE: No rocks.
DEALER (laughing): Aw, dang. See? Ya'll ain't got hit. The man comin' up short again.
Alonzo exits the car. Glares.
ALONZO: I never come up short, fool. (to the Dealer) Open your mouth.
The Dealer does. Sensing to not play with Alonzo.
ALONZO: Lift your tongue.
He does.
DEALER: See. I ain't be gottin' shit.
ALONZO: Gimme a pen.
Jake does. Alonzo grabs the Dealer's neck. Forces the pen in his mouth. Down his throat. He gags --URGH! -- Vomits.
DEALER: Motherfucker!
Jake is stunned. Alonzo inspects the spattered sidewalk. SEES saran wrapped rocks.
ALONZO: Lookie those.
DEALER: That's corn.
ALONZO: That's Jimmy crack corn. One, two, three, four, five...six. How'd you swallow that shit without water?
DEALER: Fuckin' bullshit! Fuck you, civil rights violatin' motherfuckers.
Alonzo SLAPS him.
WHAT I'VE LEARNED: Action films are not just about what is happening, but what they mean to the characters.
Training Day (2001)(9/27/99 draft)
by David Ayer
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