[Quick Summary: Anthology of 3 stories from the French outpost of a fictional magazine (artist in prison, student revolt, kidnapped son of police commissaire).]
In this film, Bill Murray plays the recently deceased editor-in-chief of The French Dispatch. His writers have gathered to write his obituary.
However, most of the film is about three write ups for the magazine.
I particularly thought the kidnapping one was vastly creative, character driven, and pushed the heights of fun farce and ridiculousness.
Roebuck Wright is the food writer who is sent to interview a famous chef. He oddly chooses Nescaffier, the Commissaire's chef, who is adept at food-on-the-run.
A crime syndicate kidnaps the Commissaire's son in exchange for an imprisoned accountant. But hurrah! A hint and the Commissaire roars into action!
I really liked the split screen of the Commissaire eating while working on site. The contrast of food (comfort) + emergency (anxiety) = funny.
Here is a partial sample:
MONTAGE:
Split-screen: on the right, the Commissaire, seated at the workbench table in the locksmith shop, speaks excitedly to the Chou-fleur while eating continuously with his left hand only; on the left, a small, speckled, boiled egg split open to reveal layers of whipped yolk mousse.
ROEBUCK WRIGHT (V.O.) COMMISSAIRE
To start: deviled eggs of the Send a commando unit to secure
precinct, canary served in all access points to the south
shells of its own meringue. and west.
On the right, the Commissaire, seated at the workbench table in the locksmith shop, speaks excitedly to Maman while eating continuously with his left hand only; on the left: a saucer of gibiers and fruits des bois.
ROEBUCK WRIGHT (V.O.) COMMISSAIRE
Next: kidneys poached with Send a guerrilla detachment to
plums from the mayor's rooftop block all egress routes to the
arbor. east and north.
On the right, the Commissaire illustrates (using arrows and X's) his scheme/strategy on one of the building floor plan maps; on the left, small boulettes shaped and packaged like a bowl of candies.
ROEBUCK WRIGHT (V.O.) COMMISSAIRE
Then: minced lamb bon-bons in Drill tunnels (circumference:
pastry wrappers. 75 mm) through the partition
walls of all three adjacent
buildings.
On the right, teenage boys and girls in shooting costumes perch among high chimney tops; on the left. another thermos.
ROEBUCK WRIGHT (V.O.) COMMISSAIRE
Blase oyster soup. On the rooftops: amateur
snipers from the local hunting
club.
WHAT I'VE LEARNED: Don't be afraid to go split screen and show contrast for an existential laugh.
ex. Roebuck Wright is reporting on the food in rapturous detail (extravagant lifestyle channel) while the Commissaire plots a rescue (true crime channel).
The French Dispatch (2021)
by Wes Anderson
Story by West Anderson & Roman Coppola & Hugo Guinness & Jason Schwartzman
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