[Quick Summary: A former dancer faces her decision to give up ballet, after her daughter joins a NYC company that features her (the mother's) former competitor.]
This week's script was a huge pop cultural sensation when it was released.*Perhaps one of the reasons is how the writer delivered emotionally satisfying endings, for both mother and daughter separately.
For example, in the scene below:
- Emilia, the daughter who has just joined this NYC company, has been dating Yuri, a very talented fellow dancer.
- She's been wrapped up in him, thinking they're a couple.
- However, he's been seeing other women without telling her.
- This hits her hard, but it matures her.
- How does the writer show the triumphant end of her character arc? Through her changed behavior.
- Notice how she is no longer swayed by every emotion and keeps it professional ("better give me more support").
- Also note that the fruits of the maturity are not just in private, but also in public ("she smiles -> but not for him -> it's a performer's smile").
INT. MISKOFF THEATRE - UNDER THE STAGE - NIGHT
...She starts to pull away, but he, holding her, makes her dance and then lifts her up in the air just as Wayne lifted Deedee. He smiles up at her.
YURI (coaxing): Emilia...?
She looks down at him. He is very handsome, very appealing. She inclines down just a little, then stops. Cool, confident:
EMILIA: You better give me more support tomorrow night.
He adjusts their position.
CLOSE SHOT - EMILIA
Now she smiles. But not for him. It is a performer's smile, a ballerina smile. Her head goes up, her back arches gracefully and as her hands and arms reach up, her whole body shoots up through the ceiling.
INT. STAGE - MINSKOFF THEATRE
And there she is, on stage, in full costume and makeup, dancing with Yuri and dancing magnificently. They are perfect together -- as partners on stage. They finish spectacularly and applause breaks like a cloudburst.
WHAT I'VE LEARNED: I really liked the description "her whole body shoots up through the ceiling" because it's not only how the character felt, but also how I felt going through the arc with the character.
Turning Point (1977)
by Arthur Laurents
*Also, it garnered 11 Oscar nominations, including ones for actors Anne Bancroft, Shirley MacLaine, Mikhail Baryshnikov, and writer Arthur Laurents (his only nomination).
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