[Quick Summary: In Harlem, Tish, 18, and her family come together to get Fonny, 21, Tish's fiancee, out of jail for an unjust incarceration.]
TWO THINGS THAT THIS SCRIPT DOES WELL:
1) "[T]hese six women alone now in this house." I thought that this was a nice, simple way to explain the tone shift to come, i.e., how women speak to each other when men are not around.
2) Releasing the tension. There is a very tense scene in an Italian grocery store:
- Tish is felt up by an Italian punk and slaps him.
- Fonny runs into the store.
- A policeman accuses Fonny but Tish speaks up to defend him.
- The Italian owner confirms Tish's version.
- Fonny barely says anything at all.
In the next scene, we see the release of all the tension.
Also, I liked that there were two very different viewpoints: Fonny felt emasculated, but Tish had no idea that her actions were contributing to it.
ex. "EXT. BLEECKER STREET - NIGHT - MOVING
Tish and Fonny moving quietly down the sidewalk.
Fonny holds the bag of tomatoes in the crook of one hand; the other arm he entwines through Tish's. They walk slowly.
FONNY: Tish...
TISH: Yes?
FONNY: Don't ever try to protect me.
TISH: But you were trying to protect me.
FONNY (heavy;quiet): It's not......the same......thing.
Fonny takes the bag of tomatoes...and smashes them against the nearest wall. They make a beautiful, chiaroscuro mess of streaking red. But, mercifully, they hardly make a sound.
The two of them standing apart now, Fonny with his hands in his pockets, looking down at his feet, disgusted.
Tish with a hand covering his mouth, the other wrapped about herself. Fonny closing the space, takes her hand in his:
FONNY: Don't think I don't know you love me. You believe we going to make it?
Tish embracing him, a hand to his cheek, a very full kiss.
She draws back, starts to say something, but...he puts a finger to her lips. Smiles his little smile.
FONNY: Don't say a word. I'm going to take you out to dinner. At our Spanish place, you remember?"
WHAT I'VE LEARNED: I liked how Scene A plays --> Scene B releases the tension --> Scene B reveals a different interpretation of Scene A.
If Beale Street Could Talk (2018)
Written for the screen and directed by Barry Jenkins
Based on the book by James Baldwin
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